The Egyptian Queen Nefertari is feeling all miffed now, for whatever reason. Maybe her egoistical hubby Ramses II is getting on her nerves again.
More than anything else, this was an experiment with a different approach to coloring than my usual. I recently saw an art book where the artist apparently did all their coloring under the pencil lines without any inking at all, and it was a look I wanted to try out myself.
The city of Kerma, located near the Third Cataract of the Nile in northern Sudan, was the first capital of the kingdom of Kush. It thrived between 2500 and 1500 BC until the Egyptians had it destroyed during their New Kingdom conquest of Kush. Although Kush would resurge as a major power in the Nile Valley after 1000 BC, their capital had moved up the Nile to Napata by this period.
This is a street scene I did for a friend who wants to put together an illustrated book about the Kushite civilization. The big temple in the background is based on one of the structures known as deffufa which have been excavated at Kerma’s ruins. I rather like depicting common Kushite people going about their daily lives, since most modern depictions seem to emphasize either their warriors or their kings.
A tribal huntress watches with awe (and perhaps some wariness) as these brontosaurs lumber across the savanna. You on the other hand get to admire both the brontos and her booty. 😀
“My love, you march to war defiant,
May God returneth you triumphant.
And you’ll be brave, be strong, be true, my love.
And I’ll be waiting for you, forever…”
— Angela Van Dyck, “Forever” from the Rome: Total War soundtrack
A Greek soldier fighting for the Ptolemaic army receives a goodbye kiss from his native Egyptian lover. She promises him that she’ll be waiting for his return, either back home or in the afterlife. This was inspired by the song “Forever” from the soundtrack to the first Rome: Total War game. It’s an awfully sweet and romantic song considering the game is about military strategy and conquest, but somehow I find that contrast adds to its beauty (the song “We Are All One” from the Medieval: Total War soundtrack is even better).
A Greek immigrant in Egypt enjoys some intimacy with one of the local ladies. I want to say this takes place during the Ptolemaic period, when a dynasty of Macedonian origin ruled Egypt and numerous Greeks settled in the country. But even before this period, there were Greek mercenaries fighting for the Pharaohs at least as early as the 7th century BC. Regardless of the time period it takes place in, please enjoy the steamy make-out scene!
This Triceratops has had a chunk of his frill bitten off by a tyrannosaur, but he is proud to have lived to tell the tale.
If you’re wondering what his right foreleg is standing on, it’s supposed to be a rock covered with moss-like growth.
After recently drawing Agathoclea, the scheming mistress of Ptolemy IV of Egypt (221-205 BC), it was only fair that I do a picture of her having some quality time with the Ptolemaic ruler himself. Since Ptolemy IV had a reputation for drunken revelry and debauchery, I figured that he could have put on quite a bit of excess weight from all the eating that would have gone with that partying (although you wouldn’t know it from the more flattering portraits on his coinage). As for what Agathoclea would see in him, my interpretation of their relationship is that she was simply using him to get her brother Agathocles on the throne (and I wouldn’t be surprised if they had something to do with his death in 205 BC). He may crave her beauty now, but he better watch out!
Born to a Greek father and a mother of “obscure origins”, Agathoclea earned her historical infamy as the mistress of Ptolemy IV Philopator of Egypt (221-205 BC). It may have been a ruse to grab the throne for her brother Agathocles, for after Ptolemy IV’s death (unexplained as far as I can find), they started pilfering from the royal treasure and had his sister-wife Arsinoe III (a potential rival for the throne) murdered. In the end, their crimes did not pay. While her brother died at the hands of his friends, Agathoclea, her sisters, and her mother were dragged into public naked and torn limb from limb by an angry crowd (all their relatives and anyone complicit in Arsinoe’s murder were also put to death).
Since her mother’s parentage seems to be unknown, I’ve made my interpretation of Agathoclea a Greek/native Egyptian mix simply because I could. Of course, she could have easily used her “exotic” looks to seduce the debauched Ptolemy IV. Incidentally, there was a native revolution happening further south in Egypt during the end of Ptolemy IV’s reign, and it took his successor Ptolemy V Epiphanes to crush it.